Sofia Kirillova

Download Now Server 1 Download Now Server 2 Download Now Server 3 Skie is a simple gothic sans serif typeface with normal, condensed, and wide families. Its distinguishing characteristics are the small x-height with tall ascenders, and a minimal amount of contrast, while the apertures are semi-open to help in readability. The simple design keeps the appearance fairly neutral and presents a blend of modern and vintage qualities. With 60 fonts in 10 weights and 3 widths making up the complete family, it could be considered a superfamily or workhorse as the widths — normal, condensed, and wide — all harmonize together to give the designer a variety of proportions and layout options to work with. Each width carries a little different tone and feel. Skie has many features: • Arrows • Discretionary ligatures • Case-sensitive punctuation for All Caps • Tabular figures • Fractions

Download Now Server 1 Download Now Server 2 Download Now Server 3 »SIGMA« is the name for the Greek voiceless »S«. It is also called the »Lunar Sigma«, in Hellenistic times the letter was simplified to »C«. I thought SIGMA was a nice name for my new, very readable and friendly Sans typeface. »SIGMA« has that classical Sans beauty with friendly touches that make it unique. You will love this font. It is a great everyday workhorse with seven weights from Thin to Bold and all the necessary weights in between. Great for body copy and headlines! With 875 Glyphs it is a truly European font designed for all Central European and Latin using countries. »SIGMA« has a set of Cyrillic that is – besides Russia – also good for Serbia, Macedonia and Ukraine. It has oldstyle- and lining-, tabular- and tabular-oldstyle-figures, many ligatures. »SIGMA« comes in Normal and Oblique, I made it

Download Now Server 1 Download Now Server 2 Download Now Server 3 Quenbach is a classy and geometric font family that includes 36 weights. Especially, this Font family has elaborated the Kerning Process to be useful in Editorial Design. It also supports Cyrillic Basic Charset and OpenType Features including Small Caps. Basically, the glyphs were geometrically designed, and some glyphs were customized to improve readability. Of these fonts, the thin weight font is designed to be thinner than the other products. This thinnest stroke can be useful in editorial design. And Qunbach Condensed Font Family will be used more accurately for editorial and web designer's needs. Download Quenbach Font Family From Brenners Template Download Quenbach Font Family From Brenners Template

Download Now Server 1 Download Now Server 2 Download Now Server 3 Generisch - a german equivalent of generic - sans serif typeface has gain its own place among designers and earn such popularity due to its "simple" design. Generisch is influenced by early grotesk typefaces from early 1900's when sans was starting to get popular and used as a body type. Some old ligatures such as ch ck and ng are present in generisch (not the ct and st tho), old style numeral for better typesetting experience and more. Download Generisch Sans Font Family From Akufadhl Download Generisch Sans Font Family From Akufadhl

Download Now Server 1 Download Now Server 2 Download Now Server 3 Magdelin is a minimal yet warm gothic sans serif typeface consisting of 40 fonts with normal and alternate families. At its core, the design is a gothic sans having simple forms and low contrast, yet it takes some qualities from the humanist class with its calligraphy or cursive-inspired details found in the italics and the bowl shapes of characters like b and d. The weights range from thin to black. The small x-height, longer ascenders and descenders, and semi-condensed proportions give it a bit of a vintage or classic feel while still appearing contemporary and modern in current typographic landscapes. The clean design allows it to be a useful and versatile workhorse family great for branding, packaging, editorial, books, websites, digital, and more. With the alternate family (Magdelin Alt) comes even more

Download Now Server 1 Download Now Server 2 Download Now Server 3 Hello Walter is a nice and clean typography I made for my little boy Walter. The story behind is I want to create a bold font with less holes and funny shapes. More naive but still serious with a lot of glyphs easy to use in many language cyrilic included. Perfect for web and print, for making logos or children book and app. Have lot of fun. Download Hello Walter Font Family From Fonts of Chaos Download Hello Walter Font Family From Fonts of Chaos

Download Now Server 1 Download Now Server 2 Download Now Server 3 Kontora is elegant, universal and laconic geometric sans. Kontora has minimal amount of decor, mostly modern proportions and letterforms, but at the same time shows a touch of retro constructivist aesthetics. This version of Kontora sans comes in 9 weights, it has 590 glyphs, therefore it supports Latin Extended A (Western and Central European) and Cyrillic (Russian, Ukrainian, Bulgarian) languages. It has basic ligatures and two sets of stylistic alternates. Kontora is perfect for clean and minimalistic design, as well as it can be a breath of fresh air to a fully loaded complex layout. Use it for bold typography, headlines, posters, branding, packaging, it looks great in all caps and vivifies design as a text font. Download Kontora Font Family From NaumType Download Kontora Font Family From Naum

Download Now Server 1 Download Now Server 2 Download Now Server 3 Arlonne Sans Pro was conceived by Sacha Rein between 2015 and 2019 with a comfortable reading experience in mind. It's a humanist sans with neoclassical influences. Arlonne is a comprehensive font family with four weights and matching italics. It has a character set of about 1800 glyphs, including extended latin, small capitals, Cyrillic (with Bulgarian, Serbian, Macedonian and Ukrainian) and Greek (with Archaic and Polytonic), math symbols, figure styles and automatic fractions, ligatures, stylistic alternates and many more OpenType features. The goal was to achieve simplicity without sacrificing personality. The generous x-height and the contrast of strokes are increasing as the font gets bolder, resulting in relatively open counters even at the heaviest weight. This makes the font especially suitable f

Download Now Server 1 Download Now Server 2 Download Now Server 3 Herbit is a handwritten sans serif font designed with the principle "Irregularity in regularity" so that herbit produces different shapes on each side of the character but looks in harmony and still maintain readability. The family contains 7 weights from Light to black with multilingual support and is ideally suited for branding, logo, advertising and packaging needs, editorial and publishing, as well as web and screen design. Download Herbit Font Family From Lafontype Download Herbit Font Family From Lafontype

Download Now Server 1 Download Now Server 2 Download Now Server 3 Blacker Sans is Francesco Canovaro newest addition to the Blacker typeface family created for Zetafonts by Cosimo Lorenzo Pancini and Andrea Tartarelli after the inverse contrast Blackest. Born for flawless font pairing in complex branding and editorial projects, Blacker Sans parts with Blacker’s spiky wedge serifs without loosing its dark, elegant character while extending its weight range to include thin, extralight and heavy for maximum versatility in display use. Contrast in the typeface is reduced to grotesque proportions, with optical corrections and fine design details to express the family identity. The result is a highly legible workhorse family that manages to keep the signature details of Blacker: the hook shape of lowercase “f” is hinted in “a”, “c” and “e”, while a nod to the original family spiky

Download Now Server 1 Download Now Server 2 Download Now Server 3 ATF Franklin Gothic® A new take on an old favorite Franklin Gothic has been the quintessential American sans for more than a century. Designed by Morris Fuller Benton and released in 1905 by American Type Founders, Franklin Gothic quickly stood out in the crowded field of sans-serif types, gaining an enduring popularity. Benton’s original design was a display face in a single weight. It had a bold, direct solidity, yet conveyed plenty of character. A modern typeface in the tradition of 19th-century grotesques, Franklin Gothic was drawn with a distinctive contrast in stroke weight, giving it a unique personality among the more mono-linear appearance of later geometric and neo-grotesque sans-serif types. Franklin Gothic has been interpreted into a series of weights before, most notably with ITC Franklin Gothic